Entierro New Haven, Connecticut
Entierro: Four Connecticut Heavy Metal musicians, who wanted to use the past to create something new in the genre of Heavy Metal. A sound that focuses on drum & bass interplay, twin guitars harmonizing over visceral riffs, & classic melodic vocals as a focus. Their music embraces their NW0BHM roots, while incorporating their individual influences from prog, thrash, & proto-metal. ... more
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supported by 10 fans who also own “The Gates Of Hell”
Allow me to copy Pagan Altar's third album title to describe not only III:Pentecost but the whole discography of Wytch Hazel so far: well, yes, it's Magical and Mythical!!! A must-have for the lovers of 70's hard sound revival.
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Stare Into the Face of Death
by Mourn the Light
supported by 10 fans who also own “The Gates Of Hell”
I recently made a joke on Twitter calling for a new heavy metal sub-genre, depressive suicidal power metal. And someone commented, “Isn’t that just epic doom metal?”. At the time, I just chuckled to myself, but that user was clearly onto something. This EP definitely feels about as close to depressive suicidal power metal as we may get, and it’s rife with elements of power, doom, and trad metal. The new wave of traditional heavy metal is here, and Mourn the Light have a torch burning!
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supported by 10 fans who also own “The Gates Of Hell”
If you like a mix of NWOBHM and classic Doom, you should take purchase this disc by very quickly!! Classic Doom in a 70s guise with cool breaks and NWOBHM melodies. I think Pentagram, Magic Circle or Pagan Altar fit here perfectly as comparison.
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The Clans Are Still Marching (Live At Wacken 2010)
by Grave Digger
featured on Bandcamp Radio Feb 17, 2023
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featured on Bandcamp Radio Feb 5, 2021
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Among Ancient Pillars
by Mace'n'Chain
Blazing True Metal from Sweden, Mace'n'Chain are ready to storm the gates with mighty vocal melodies and blistering riffs.
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supported by 10 fans who also own “The Gates Of Hell”
So I can't leave a long enough review to say everything I want. But I will say this, I love this EP. It's a great little follow up to times, and has just enough of a dynamic shift in sound to prove that Smoulder isn't a one trick pony with their first album's formula. This one really plays up the 70s prog aspects (DUST and Manilla Road influences definitely shine through even harder here). It's still Smoulder, don't get me wrong. Just a different side in some ways, all of which are good.
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